Creative Arts Emmy Awards Night 2: Winners List (Updating Live)

Sep 6, 2026 4:51pm PT Creative Arts Emmy Awards Night 2: Winners List (Updating Live) Television Academy The 78th Emmys Night 2 was set to kick off on Sunday ...

September 6, 2026

Sep 6, 2026 4:51pm PT

Creative Arts Emmy Awards Night 2: Winners List (Updating Live)

The 78th Emmys Night 2 was set to kick off on Sunday night with an opening monologue by “The Pitt” star Noah Wyle, whose series is this year’s most nominated — at 25 total.

“This is a very special industry and I am so blessed to be a part of it,” he said. “Awards and accolades are great, but they are just a small part of show business. The truth is much less glamorous. There’s a reason it’s called the industry. It’s work. It’s not all about the glam. It’s also about getting grip tape stuck on your fingers. It’s winding up with dirty hands, tired legs, clocking endless hours for weeks on end, and then signing on to do it again the very first chance you get. We are artisans and craftspeople. We put care in heart into everything we do whether it’s on camera or behind the camera.

“Whether you’re a director, a stage manager, a grip, a set designer, recognizing you for all your creativity, your ingenuity, and your effort is crucial. It is wonderful that many of you will receive Emmys here tonight, and I hope that you all get to continue to work on exciting projects, continue to hone your crafts and fulfill your calling, and that you appreciate how special that is.

“The Pitt” is the outstanding drama series frontrunner at next week’s Primetime Emmys, which takes place Sept. 14, live on NBC (and streaming on Peacock). But at the Night 2 event — also held at the Peacock Theatre at LA Live — “The Pitt” was also a contender in multiple categories, such as drama casting, music and lyrics, and both the guest drama actor (Ernest Harden Jr., Jeff Kober) and guest drama actress (Brittany Allen, Tal Anderson, Tina Ivlev).

The Sunday ceremony includes 53 categories mostly focused in the scripted arena (Night 1 was centered on unscripted categories). Among the key races are the guest star categories in both comedy and drama, as well as animated program, cinematography, character voice-over, stunt performance, costumes and makeup.

RELATED: Bad Bunny ‘Super Bowl Halftime Show,’ ‘Muppets’ and ‘Traitors’ Win Night 1 Creative Arts Emmy Awards

But perhaps the most anticipated categories of the night come with a bit of controversy: In order to free up time during NBC’s Emmys ceremony on Sept. 14, five categories originally expected to be passed out during the telecast were instead moved to tonight. That includes writing for a variety series, supporting actor and actress in a limited/anthology series or movie, directing for a limited series/anthology or movie and writing for a limited series/anthology or movie.

Meanwhile, with so many major awards switching to what has traditionally been known as the “Creative Arts Emmys,” the TV Academy also dropped the “Creative Arts” distinction for the Sept. 5 and Sept. 6 ceremonies — and now refers to all three events (including the Sept. 14 telecast) as simply the “Emmys.”

Also on Sunday, the Television Academy handed out its first-ever “Legacy Award,” given to “I Love Lucy” — the series that set the blueprint for sitcoms and created the template for TV syndication. As announced in January, the new Legacy Award was created to recognize television programs “that have made a profound and lasting impact on audiences and remain relevant to society, culture and the industry.” The org’s Special Awards committee (formerly known as the Governors Award committee) selects candidates for the Legacy Award annually, and then the Board of Governors votes on the entries.

Meanwhile, on Saturday’s Night 1, “The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny” led the pack with seven Emmys, including a win for the singer himself. It won for outstanding choreography for variety or reality programming (Charm La’Donna, Karina Ortiz), outstanding production design for a variety special Bruce Rodgers), outstanding music direction (Miguel Gandelman) and outstanding variety special (live). That was followed by Peacock’s “The Traitors,” which won six.

The first two nights of the Emmys will be edited into a single special, set to air Sept. 12 at 8 p.m. on FXX, and streaming the next day on Hulu.

Here are the nominees and winners for the categories honored during this year’s Emmys Night 2, updated throughout the evening:

Outstanding Animated Program

• “Bob’s Burgers” — “Grand Pre Pre Pre Opening” (Fox) — Loren Bouchard, Executive Producer/Written by; Nora Smith, Executive Producer/Written by; Holly Schlesinger, Executive Producer; Janelle Momary-Neely, Executive Producer; Dan Fybel, Executive Producer; Rich Rinaldi, Executive Producer; Jon Schroeder, Executive Producer; Scott Jacobson, Executive Producer; Steven Davis, Executive Producer; Lindsey Stoddart, Co-Executive Producer; Katie Crown, Co-Executive Producer; Bernard Derriman, Producer; Brett Coker, Animation Executive Producer; Dana Tafoya-Cameron, Animation Executive Producer; Chris Song, Directed by; Tony Gennaro, Supervising Director; Simon Chong, Supervising Director; Ryan Shaw, Assistant Director; Steven Theis, Assistant Director; Patrick Gleeson, Timing Supervisor
• “Rick And Morty” — “There’s Something About Morty” (Adult Swim) — Dan Harmon, Executive Producer; Justin Roiland, Executive Producer; Scott Marder, Executive Producer; Heather Anne Campbell, Executive Producer; Steve Levy, Executive Producer; Albro Lundy, Executive Producer/Written by; Monica Mitchell, Executive Producer; Nick Rutherford, Executive Producer; Rob Schrab, Executive Producer; James Siciliano, Executive Producer; Kelly Crews, Executive Producer; Cameron Tang, Executive Producer; Jess Lacher, Co-Executive Producer; Anthony Alfonso, Producer; Suzanne Belk, Producer; Garrick Bernard, Producer; Lee Harting, Producer; Jonathan Brock, Producer; Deirdre Brenner, Produced by; Douglas Einar Olsen, Directed by; Jacob Hair, Supervising Director
• “The Simpsons” — “Homer? A Cracker Bro?” (Fox) — James L. Brooks, Executive Producer; Matt Groening, Executive Producer; Matt Selman, Executive Producer; John Frink, Executive Producer; Tim Long, Co-Executive Producer; Rob LaZebnik, Co-Executive Producer; Brian Kelley, Co-Executive Producer; J. Stewart Burns, Co-Executive Producer; Michael Price, Co-Executive Producer; Jeff Westbrook, Co-Executive Producer; Cesar Mazariegos, Co-Executive Producer; Jessica Conrad, Co-Executive Producer; Loni Steele Sosthand, Co-Executive Producer; Broti Gupta, Co-Executive Producer; Richard K. Chung, Producer; Tom Klein, Animation Producer; Ryan Koh, Written by; Chris Clements, Directed by; Mike B. Anderson, Supervising Director; Matthew Faughnan, Assistant Director; Scott Brutz, Lead Animation Timer
• “Smiling Friends” — “Le Voyage Incroyable De Monsieur Grenouille” (Adult Swim) — Zach Hadel, Executive Producer/Written by/Directed by; Michael Cusack, Executive Producer/Written by/Directed by; Kelly Crews, Executive Producer; Cameron Tang, Executive Producer; Brent Tanner, Supervising Producer; Scott Malchus, Producer; David Hootselle, Directed by
• “South Park” — “Sermon On The ‘Mount” (Comedy Central) — Trey Parker, Executive Producer; Matt Stone, Executive Producer; Anne Garefino, Executive Producer; Frank C. Agnone II, Executive Producer; Daryl Sancton, Supervising Producer; Eric Stough, Producer; Bruce Howell, Producer; Adrien Beard, Producer; Vernon Chatman, Producer; Jenny Shin, Producer; Wonnie Ro, Producer; Greg Postma, Producer; Keo Thongkham, Producer; Lydia Quidilla, Producer; John Hansen, Producer; David List, Producer; Mark Munley, Producer; Nate Pellettieri, Producer; Andrew B. Rhoades, Producer; Gary Martinez, Producer
• “Star Wars: Visions” — “Black” (Disney+) — Shinya Ohira, Directed by/Animation Director/Written by; James Waugh, Executive Producer; Josh Rimes, Executive Producer; Jacqui Lopez, Executive Producer; Shuichiro Tanaka, Executive Producer; Justin Leach, Co-Executive Producer; Flannery Huntley, Producer; Kanako Shirasaki, Producer; Tsutomu Fujio, Producer; Jacob Ayres, Producer

Outstanding Casting for a Comedy Series

• “Abbott Elementary” (ABC) — Wendy O’Brien, Casting by; Chris Gehrt, Casting by
• “Hacks” (HBO Max) — Linda Lowy, CSA, Casting by; Morgan Smith, CSA, Casting by; Lily Trotter, CSA, Associate Casting Director
• “Only Murders In The Building” (Hulu) — Bernard Telsey, CSA, Casting by; Tiffany Little Canfield, CSA, Casting by; Destiny Lilly, CSA, Casting by
• “Shrinking” (Apple TV) — Brett Benner, CSA, Casting by; Debby Romano, CSA, Casting by; Daniel Schwab, Associate Casting Director
• WINNER: “Widow’s Bay” (Apple TV) — Allison Jones, Casting by; Emily Buntyn, Casting by; Lisa Lobel, CSA, Location Casting; Angela Peri, CSA, Location Casting

Outstanding Casting for a Drama Series

• “The Diplomat” (Netflix) — Julie Schubert, Casting by; Lucinda Syson, CSA, CDG, Casting by (UK); Natasha Vincent, CSA, CDG, Casting by (UK); Lain Kunin, Associate Casting Director; Ellinor Isherwood, Associate Casting Director
• “Paradise” (Hulu) — Tiffany Little Canfield, CSA, Casting by; Josh Einsohn, CSA, Casting by; Brian Sutow, Associate Casting Director
• WINNER: “The Pitt” (HBO Max) — Cathy Sandrich Gelfond, CSA, Casting by; Erica Berger, Casting by; Seth Caskey, CSA, Associate Casting Director
• “Pluribus” (Apple TV) — Sharon Bialy, CSA, Casting by; Sherry Thomas, CSA, Casting by; Russell Scott, CSA, Casting by; Marie A.K. McMaster, CSA, Location Casting
• “Slow Horses” (Apple TV) — Nina Gold, Casting by; Melissa Gethin Clarke, Casting by

Outstanding Casting for a Limited or Anthology Series or Movie

• “All Her Fault” (Peacock) — David Rubin, Casting by; Matt Lander, Casting by; Djinous Rowling, Associate Casting Director; Jane Norris, Location Casting
• “The Beast In Me” (Netflix) — Julie Tucker, CSA, Casting by; Kim Krakauer, Casting by
• “Beef” (Netflix) — Jeanie Bacharach, CSA, Casting by
• “DTF St. Louis” (HBO Max) — Francine Maisler, CSA, Casting by; Amber Wakefield, CSA, Casting by; Molly Rose, CSA, Associate Casting Director; Chase Paris, CSA, Location Casting; Tara Feldstein Bennett, CSA, Location Casting
• WINNER: “Love Story: John F. Kennedy Jr. & Carolyn Bessette” (FX/Hulu) — Courtney Bright, CSA, Casting by; Nicole Daniels, CSA, Casting by; Jennifer Brooks, CSA, Associate Casting Director

Outstanding Character Voice-Over Performance

• Pamela Adlon — “King Of The Hill” (Hulu) — “Any Given Hill-day” — as Bobby Hill
• Julie Andrews — “Bridgerton” (Netflix) — “The Waltz” — as Lady Whistledown
• Hank Azaria — “The Simpsons” (Fox) — “Keep Chalm And Gary On” — as Gary Chalmers
• Trey Parker — “South Park” (Comedy Central) — “Sermon On The ‘Mount” — as Satan
• Matt Vogel — “The Muppet Show” (Disney+) — as Kermit the Frog
• Steven Yeun — “Invincible” (Prime Video) — “Don’t Leave Me Hanging Here” — as Mark Grayson/Invincible

Outstanding Choreography for Scripted Programming

• “Bridgerton” — “Pink / Full Circle / Recital / Masquerade / Stag” (Netflix) — Sean “Jack” Murphy, Choreographer
• “Noah’s Arc: The Movie” — “Love Is A Contact Sport / Next Caller” (Paramount+ with Showtime) — Christian John-Devi Vincent, Choreographer
• “Palm Royale” — “Comin’ Home Baby / I Want To Be A Cowboy’s Sweetheart / I Had A Ball” (Apple TV) — Brooke Lipton, Choreographer
• “Stumble” — “Media Day Routine / Bring It On Routine / Truck Routine / Elite Cheer Routine / Car Wash Routine / SDSJC Daytona Routine / Buttons Daytona Routine” (NBC) — Dahlston Delgado, Choreographer
• “Wednesday” — “The Dead Dance” (Netflix) — Corey Baker, Choreographer
• “Will Trent” — “NuevaYol” (ABC) — Lance Guillermo, Choreographer; Danielle Sten, Choreographer

Outstanding Cinematography for a Limited or Anthology Series or Movie

• “Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — James Laxton, ASC, Director of Photography
• “Black Rabbit” — “Isle Of Joy” (Netflix) — Peter Konczal, ASC, Director of Photography
• “Death By Lightning” — “Destiny Of The Republic” (Netflix) — Adriano Goldman, ASC, BSC, ABC, Director of Photography
• “DTF St. Louis” — “Cornhole” (HBO Max) — James Whitaker, ASC, Director of Photography
• “Monster: The Ed Gein Story” — “Buxom Bird” (Netflix) — Michael Bauman, Director of Photography

Outstanding Cinematography for a Series (Half-Hour)

• “The Bear” — “Scallop” (FX/Hulu) — Andrew Wehde, Director of Photography
• “Hacks” — “The Garden” (HBO Max) — Adam Bricker, ASC, Director of Photography
• “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Gustav Danielsson, FSF, Director of Photography
• “The Upshaws” — “Indy Streets” (Netflix) — Chuck Ozeas, Director of Photography
• “Widow’s Bay” — “Our History” (Apple TV) — Christian Sprenger, ASC, Director of Photography

Outstanding Cinematography for a Series (One Hour)

• “Alien: Earth” — “Neverland” (FX/Hulu) — Dana Gonzales, ASC, Director of Photography
• “Euphoria” — “In God We Trust” (HBO Max) — Marcell Rév, ASC, HCA, Director of Photography
• “Margo’s Got Money Troubles” — “Flamingos” (Apple TV) — Tari Segal, ASC, Director of Photography
• “Pluribus” — “We Is Us” (Apple TV) — Marshall Adams, ASC, Director of Photography
• “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Darran Tiernan, ISC, Director of Photography
• “Task” — “Crossings” (HBO Max) — Alex Disenhof, ASC, Director of Photography

Outstanding Contemporary Costumes for a Series

• “Emily In Paris” — “Veni, Vidi, Venezia” (Netflix) — Marylin Fitoussi, Costume Designer; Chloé Bartonio, Costume Supervisor; Herehau Ragonneau, Assistant Costume Designer; Daniela Telle, Associate Costume Designer
• “Hacks” — “No New Tricks” (HBO Max) — Kathleen Felix-Hager, Costume Designer; Keely Crum, Costume Supervisor; Colleen Washington, Assistant Costume Designer; Shannon Felix, Key Costumer; Rory Cunningham, Head of Workroom
• WINNER: “Margo’s Got Money Troubles” — “Grudge Match” (Apple TV) — Mirren Gordon-Crozier, Costume Designer; Tracy Jarvis, Assistant Costume Designer; Brooke Thatawat, Costume Supervisor; Mallory Bradley, Key Costumer; Tara White, Head of Workroom
• “Only Murders In The Building” — “After You” (Hulu) — Dana Covarrubias, Costume Designer; Amy Bert, Wardrobe Supervisor; Abigail Geoghegan, Assistant Costume Designer; Liana John, Assistant Costume Designer
• “Wednesday” — “Woe Me The Money” (Netflix) — Colleen Atwood, Costume Designer; Mark Sutherland, Costume Designer; Tom Hornsby, Costume Supervisor; Robin Soutar, Assistant Costume Designer; Connor Dalton, Assistant Costume Designer; Charlotte Child, Assistant Costume Designer

Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie

• “The Beast In Me” — “Elephant In The Room” (Netflix) — Arjun Bhasin, Costume Designer; Emmanuelle Martin, Assistant Costume Designer; Alyssa Avellino-Faivre, Costume Supervisor
• WINNER: “Beef” — “All The Things We’re Never Going To Have” (Netflix) — Olga Mill, Costume Designer; Bailey Gardner, Assistant Costume Designer; Sarah Basta, Costume Supervisor; Kellie Ishisaki, Key Costumer
• “Black Rabbit” — “The Black Rabbits” (Netflix) — Amy Westcott, Costume Designer; Jessica Trejos, Assistant Costume Designer; Min Ji Kim, Assistant Costume Designer; Amy Burt, Costume Supervisor
• “DTF St. Louis” — “Cornhole” (HBO Max) — Molly Maginnis, Costume Designer; Nadia Durham, Assistant Costume Designer; Brenda Maben, Wardrobe Supervisor
• “Remarkably Bright Creatures” (Netflix) — Carla Hetland, Costume Designer; Laura Zydervelt, Costume Supervisor; Margaret Schliessler, Assistant Costume Designer

Outstanding Contemporary Hairstyling

• “All’s Fair” — “Oh, Jesus!” (Hulu) — Valerie Jackson, Department Head Hairstylist; Linda Flowers, Personal Hairstylist; Sharif Poston, Personal Hairstylist; Dimitris Giannetos, Personal Hairstylist; Michelle Ceglia, Personal Hairstylist
• “Emily In Paris” — “Veni, Vidi, Venezia” (Netflix) — Carole Nicolas, Department Head Hairstylist; Mike Desir, Personal Hairstylist; Julien Parizet, Personal Hairstylist; Jay Durimel, Hairstylist; Miharu Oshima, Key Hairstylist
• “Euphoria” — “The Ballad Of Paladin” (HBO Max) — Kimberly Kimble, Department Head Hairstylist; Kendra Garvey, Assistant Department Head Hairstylist; Kase Glenn, Barber; Marquita Lynch, Hairstylist; Stacy Schneiderman, Hairstylist
• “Hacks” — “No New Tricks” (HBO Max) — Jennifer Bell, Personal Hairstylist
• WINNER: “Margo’s Got Money Troubles” — “Buddies” (Apple TV) — Jaime Leigh McIntosh, Department Head Hairstylist; Ahou Mofid, Co-Department Head Hairstylist; Celeste Gonzalez, Hairstylist; Kim Santantonio, Personal Hairstylist; R’riyana Kilne, Additional Hairstylist
• “Wednesday” — “Woe Me The Money” (Netflix) — Francesco Pegoretti, Hair Designer; Sevlene Roddy, Key Hairstylist; Marica Falso, Hairstylist; Peter Burke, Hairstylist; Nirvana Jalalvand, Personal Hairstylist

Outstanding Contemporary Makeup (Non-Prosthetic)

• “All’s Fair” — “Oh, Jesus!” (Hulu) — Kate Biscoe, Department Head Makeup Artist; Tierra Richards, Assistant Department Head Makeup Artist; Victor Del Castillo, Key Makeup Artist; Chloe Sens, Personal Makeup Artist; Naima Jamal, Personal Makeup Artist; Diana Shin, Personal Makeup Artist
• “Euphoria” — “Kitty Likes To Dance” (HBO Max) — Doniella Davy, Department Head Makeup Artist; Tara Lang Shah, Assistant Department Head Makeup Artist; Mara Rouse, 3rd Makeup; Leah Rial Sappington, Personal Makeup Artist
• “Hacks” — “Hacks (Finale)” (HBO Max) — Brittany White, Department Head Makeup Artist; Keith Sayer, Personal Makeup Artist; Erin Blinn, Key Makeup Artist; Veronica Rodarte, Makeup Artist
• “Margo’s Got Money Troubles” — “Grudge Match” (Apple TV) — Erin Ayanian Monroe, Department Head Makeup Artist; Michele Teleis, Assistant Department Head Makeup Artist; Bonni Flowers, Key Makeup Artist; Valli O’Reilly, Personal Makeup Artist; Angela Levin, Personal Makeup Artist
• “The Pitt” — “1:00 P.M.” (HBO Max) — Merry Lee Traum, Key Makeup Artist; Marie Flore “Ri” Beaubien, Makeup Artist; Leesa Simone, Makeup Artist
• “Wednesday” — “Woe Me The Money” (Netflix) — Lynn Johnston, Makeup Designer; Elaine Hopkins, Key Makeup Artist; Helen Bailey, Makeup Artist; Dorothy Campbell, Makeup Artist

Outstanding Directing for a Limited or Anthology Series or Movie

• “Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — Jake Schreier, Directed by
• “Beef” — “Oh, The Comfort, The Inexpressible Comfort” (Netflix) — Lee Sung Jin, Directed by
• “Black Rabbit” — “The Black Rabbits” (Netflix) — Jason Bateman, Directed by
• “DTF St. Louis” (HBO Max) — Steven Conrad, Directed by

Outstanding Fantasy/Sci-Fi Costumes

• “Alien: Earth” — “Neverland” (FX/Hulu) — Suttirat Larlarb, Costume Designer; Pashelle Latino, Wardrobe Supervisor; Srirattana “Bew” Wattanavitkul, Wardrobe Supervisor; Ampa “Tiew” Bunruaeng, Head of Workroom
• “The Boys” — “The Frenchman, The Female, And The Man Called Mother’s Milk” (Prime Video) — Michael Ground, Costume Designer; Laura Jean Shannon, Specialty Costume Designer; Kim Harkness, Co-Costume Designer; Emily McHugh, Assistant Costume Designer; Sarah Mgeni, Associate Supersuits Costume Designer; Michelle Margolis Hallam, Supersuits Costume Supervisor
• WINNER: “Fallout” — “The Strip” (Prime Video) — Dayna Pink, Costume Designer; Conan Castro Jr., Costume Supervisor; Annie Jewell, Assistant Costume Designer; Imogene Chayes, Costume Illustrator; Christopher Lawrence, Key Background Costumer
• “A Knight Of The Seven Kingdoms” — “Seven” (HBO Max) — Lorna Ó Ríordáin, Costume Designer; Libby Dempster, Assistant Costume Designer; Kyle Callanan, Assistant Costume Designer; Rachael Webb-Crozier, Costume Supervisor; Stephen O Rawe, Costume Supervisor

Outstanding Guest Actor in a Comedy Series

• Michael J. Fox — “Shrinking” (Apple TV) — “The Field” — as Gerry
• Brett Goldstein — “Shrinking” (Apple TV) — “Happiness Mission” — as Louis
• Hamish Linklater — “Widow’s Bay” (Apple TV) — “Seasickness” — as Richard Warren
• Christopher McDonald — “Hacks” (HBO Max) — “No New Tricks” — as Marty Ghilain
• Rob Reiner — “The Bear” (FX/Hulu) — “Tonnato” — as Albert
• Connor Storrie — “Saturday Night Live” (NBC) — “Host: Connor Storrie” — as Host

Outstanding Guest Actor in a Drama Series

• Colman Domingo — “Euphoria” (HBO Max) — “In God We Trust” — as Ali
• Ernest Harden Jr. — “The Pitt” (HBO Max) — “7:00 A.M.” — as Louie Cloverfield
• Jeff Hiller — “Pluribus” (Apple TV) — “Please, Carol” — as Larry
• Jeff Kober — “The Pitt” (HBO Max) — “8:00 P.M.” — as Duke Ekins
• Jonathan Pryce — “Slow Horses” (Apple TV) — “Scars” — as David Cartwright
• Bradley Whitford — “The Diplomat” (Netflix) — “Amagansett” — as First Gentleman Todd Penn

Outstanding Guest Actress in a Comedy Series

• Leslie Bibb — “Hacks” (HBO Max) — “Montecito” — as Monica
• Jamie Lee Curtis — “The Bear” (FX/Hulu) — “Tonnato” — as Donna Berzatto
• Betty Gilpin — “Widow’s Bay” (Apple TV) — “Our History” — as Sarah Westcott Warren
• Cherry Jones — “Hacks” (HBO Max) — “Montecito” — as Kelly
• Laurie Metcalf — “Hacks” (HBO Max) — “The Garden” — as Weed
• Kaitlin Olson — “Hacks” (HBO Max) — “D’Amazing Race” — as DJ Vance
• Lauren Weedman — “Hacks” (HBO Max) — “The Cube” — as Mayor Jo Pezzimenti

Outstanding Guest Actress in a Drama Series

• Brittany Allen — “The Pitt” (HBO Max) — “3:00 P.M.” — as Roxie Hamler
• Tal Anderson — “The Pitt” (HBO Max) — “5:00 P.M.” — as Becca King
• Tina Ivlev — “The Pitt” (HBO Max) — “1:00 P.M.” — as Ilana Miller
• Miriam Shor — “Pluribus” (Apple TV) — “We Is Us” — as Helen
• Merritt Wever — “The Gilded Age” (HBO Max) — “Marriage Is A Gamble” — as Monica O’Brien
• WINNER: Shailene Woodley — “Paradise” (Hulu) — “Graceland” — as Annie

Outstanding Movie

• “Heads Of State” (Prime Video) — Marcus Viscidi, Executive Producer; Josh Appelbaum, Executive Producer; André Nemec, Executive Producer; John Cena, Executive Producer; Idris Elba, Executive Producer; Peter Safran, Produced by; John Rickard, Produced by
• “Miss You, Love You” (HBO Max) — Mike Bowes, Executive Producer; Gigi Pritzker, Produced by; Rachel Shane, Produced by; Kevin J Walsh, Produced by; Nat Faxon, Produced by
• “People We Meet On Vacation” (Netflix) — Laura Quicksilver, Executive Producer; Ted Gidlow, Executive Producer; Emily Henry, Executive Producer; Wyck Godfrey, Produced by; Marty Bowen, Produced by; Isaac Klausner, Produced by
• “Remarkably Bright Creatures” (Netflix) — Alyssa Rodrigues, Executive Producer; Erika Hampson, Executive Producer; Olivia Newman, Executive Producer; Shelby Van Pelt, Executive Producer; Tony Lipp, Executive Producer; Alisa Tager, Executive Producer; Bryan Unkeless, Produced by; Peter Craig, Produced by; David Levine, Produced by
• “Tom Clancy’s Jack Ryan: Ghost War” (Prime Video) — Alexa Ginsburg, Executive Producer; Carlton Cuse, Executive Producer; John J. Kelly, Executive Producer; Tom Clancy, Executive Producer; John Krasinski, Produced by; Allyson Seeger, Produced by; Andrew Form, Produced by

Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)

• “All Her Fault” — “Episode 7” (Peacock) — Jeff Beal, Composer
• “The Beast In Me” — “The Beast And Me” (Netflix) — Sean Callery, Composer; Sara Barone, Composer
• “Black Rabbit” — “Isle Of Joy” (Netflix) — Danny Bensi, Composer; Saunder Jurriaans, Composer
• “In The Blink Of An Eye” (Hulu) — Thomas Newman, Composer
• “Washington Black” — “If You See My Mama, Whisper Her This…” (Hulu) — Cameron Moody, Composer

Outstanding Music Composition for a Series (Original Dramatic Score)

• “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Dan Romer, Composer
• “Palm Royale” — “Maxine Drinks Martinis Now” (Apple TV) — Jeff Toyne, Composer
• “Pluribus” — “We Is Us” (Apple TV) — Dave Porter, Composer
• “Slow Horses” — “Missiles” (Apple TV) — Daniel Pemberton, Composer; Toydrum, Composer
• “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Kris Bowers, Composer; Michael Dean Parsons, Composer
• “Widow’s Bay” — “Our History” (Apple TV) — David Fleming, Composer

Outstanding Music Supervision

• “The Boys” — “Blood And Bone” (Prime Video) — Michelle Johnson, Music Supervisor; Yvette Metoyer, Music Supervisor
• “Hacks” — “Hacks (Finale)” (HBO Max) — Matt Biffa, Music Supervisor
• “Nobody Wants This” — “When Noah Met Joanne” (Netflix) — Manish Raval, Music Supervisor; Tom Wolfe, Music Supervisor; Jonathan Leahy, Music Supervisor
• “Pluribus” — “We Is Us” (Apple TV) — Thomas Golubić, Music Supervisor
• “Stranger Things” — “Chapter Eight: The Rightside Up” (Netflix) — Nora Felder, Music Supervisor
• “Widow’s Bay” — “Beach Reads” (Apple TV) — Toko Nagata, Music Supervisor

Outstanding Original Main Title Theme Music

• “All Her Fault” (Peacock) — Jeff Beal, Composer
• “The Beast In Me” (Netflix) — Sean Callery, Composer
• “The ‘Burbs” (Peacock) — Michael Abels, Composer
• “Murderbot” (Apple TV) — Amanda Jones, Composer
• “Pluribus” (Apple TV) — Dave Porter, Composer

Outstanding Original Music and Lyrics

• “The Boys” — “The Frenchman, The Female, And The Man Called Mother’s Milk / Song Title: Raise Him Up” (Prime Video) — Christopher Lennertz, Music & Lyrics; Daveed Diggs, Lyrics
• “Hacks” — “EGOT / Song Title: Mis Figuritas” (HBO Max) — Carlos Rafael Rivera, Music & Lyrics; David Stal, Music & Lyrics
• “The Pitt” — “12:00 P.M. / Song Title: Need Someone” (HBO Max) — Gavin Brivik, Music; Andrew Bird, Music & Lyrics
• “South Park” — “The Crap Out / Song Title: Christian Woman” (Comedy Central) — Trey Parker, Music & Lyrics
• “Spider-Noir” — “A Mistake I’ll Never Make Again / Song Title: The Devil You Know” (MGM+/Prime Video) — Warren Oak Felder, Music & Lyrics; Sebastian Kole, Music & Lyrics; Daniel Pemberton, Music & Lyrics
• “Wednesday” — “Woe Me The Money / Song Title: The Dead Dance” (Netflix) — Lady Gaga, Music & Lyrics; Andrew Watt, Music & Lyrics; Henry Russell Walter, Music & Lyrics

Outstanding Period or Fantasy/Sci-Fi Hairstyling

• WINNER: “Bridgerton” — “The Waltz” (Netflix) — Nic Collins, Department Head Hairstylist; Giorgio Galliero, Assistant Department Head Hairstylist; Jade Clarke, Background Supervisor; Valentina Nesti, Hairstylist; Katharine Scott, Hairstylist; Laura Hartney, Hairstylist
• “Fallout” — “The Strip” (Prime Video) — Dennis Bailey, Department Head Hairstylist; April Schuller, Assistant Department Head Hairstylist; Katy McClintock, Assistant Department Head Hairstylist; George Wilson, Hairstylist; Raquel Bianchini, Additional Hairstylist; Roma Goddard, Additional Hairstylist
• “The Gilded Age” — “My Mind Is Made Up” (HBO Max) — Sean Flanigan, Department Head Hairstylist; Christine Fennell Harlan, Co-Department Head Hairstylist; Jonathan David Zane-Sharpless, Key Hairstylist; Tim Harvey, Key Hairstylist; Aaron M. Kinchen, Key Hairstylist; Anika Seitu, Hairstylist
• “A Knight Of The Seven Kingdoms” — “The Morrow” (HBO Max) — Pippa Woods, Department Head Hairstylist; Lucille Harding, Hair Supervisor; Tamara Mae Richards-Bloomfield, Assistant Department Head Hairstylist; Anna Knight, Hairstylist; Cat Coogan, Hairstylist; Lauren Appleby, Hairstylist
• “Palm Royale” — “Maxine Drinks Martinis Now” (Apple TV) — Karen Bartek, Department Head Hairstylist; Brittany Madrigal, Assistant Department Head Hairstylist; Tiffany Bloom, Key Hairstylist; Anna Quinn, Key Hairstylist; Jill Crosby, Personal Hairstylist; Frida Aradottir, Personal Hairstylist

Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)

• “Fallout” — “The Strip” (Prime Video) — Elisa Marsh, Department Head Makeup Artist; John Damiani, Assistant Department Head Makeup Artist; Jennifer Aspinall, Makeup Artist; Cynthia Hernandez, Additional Makeup Artist; Kenneth Calhoun, Additional Makeup Artist; Lisa Rocco, Additional Makeup Artist; Sabine Roller Taylor, Additional Makeup Artist; Josh Foster, Additional Makeup Artist
• “The Gilded Age” — “My Mind Is Made Up” (HBO Max) — Nicki Ledermann, Department Head Makeup Artist; Anette Lian-Williams, Key Makeup Artist; Jane DiPersio, Key Makeup Artist; Emily Maitland Marroquin, Key Makeup Artist; Mareike Mohmand, Key Makeup Artist
• “Love Story: John F. Kennedy Jr. & Carolyn Bessette” — “The Pools Party” (FX/Hulu) — Milagros Medina-Cerdeira, Department Head Makeup Artist; Blair Aycock, Key Makeup Artist; D’angelo Thompson, Makeup Artist; Jill Karol, Additional Makeup Artist
• “Monster: The Ed Gein Story” — “The Babysitter” (Netflix) — Heather Koontz, Assistant Department Head Makeup Artist
• “Palm Royale” — “Maxine Drinks Martinis Now” (Apple TV) — Tricia Sawyer, Department Head Makeup Artist; Marissa Lafayette, Assistant Department Head Makeup Artist; Marie DelPrete, Key Makeup Artist; Rory Gaudio, Makeup Artist; Alyssa Goldberg, Makeup Artist; Marja Webster, Personal Makeup Artist; Simone Almekias-Siegl, Personal Makeup Artist

Outstanding Period Costumes

• “Bridgerton” — “Dance In The Country” (Netflix) — John Walter Glaser III, Costume Designer; Dougie Hawkes, Associate Costume Designer; George Sayer, Assistant Costume Designer; Anthony Brookman, Assistant Costume Designer; Amanda McLaughlan, Costume Supervisor; Pascha Hanaway, Costume Supervisor
• “The Gilded Age” — “Marriage Is A Gamble” (HBO Max) — Kasia Walicka Maimone, Costume Designer; Denise Andres, Costume Supervisor; Rebecca Levin, Costume Supervisor; Isabelle Simone, Associate Costume Designer; Rebecca Freund, Associate Costume Designer; Sue Bakula, Head of Workroom
• “Love Story: John F. Kennedy Jr. & Carolyn Bessette” — “The Wedding” (FX/Hulu) — Rudy Mance, Costume Designer; Natalie Turturro Mettouchi, Assistant Costume Designer; Brittany Griffin, Assistant Costume Designer; Moria Clinton, Assistant Costume Designer; Liz Samuels, Costume Supervisor
• “Monster: The Ed Gein Story” — “Mother!” (Netflix) — Joshua J. Marsh, Costume Designer; Serrita Coleman, Assistant Costume Designer; Sharon Sampson, Costume Supervisor; Latrese Wright, Costume Supervisor; Erin Fabian, Key Costumer
• WINNER: “Palm Royale” — “Maxine Is Ready To Single Mingle” (Apple TV) — Alix Friedberg, Costume Designer; Leigh Bell, Co-Costume Designer; Samantha Schwartz, Assistant Costume Designer; Carolyn Dessert, Costume Supervisor; Jennifer Wolf, Key Background Costumer; Valerie Keiser, Head of Workroom

Outstanding Picture Editing for a Drama Series

• “Euphoria” — “In God We Trust” (HBO Max) — Aaron I. Butler, ACE, Editor; Nikola Boyanov, Editor; Aleshka Ferrero, Editor; Julio C. Perez IV, ACE, Editor; Kristin Valentine, Additional Editor
• “The Pitt” — “1:00 P.M.” (HBO Max) — Tamara Luciano, Editor
• “The Pitt” — “9:00 P.M.” (HBO Max) — Mark Strand, ACE, Editor
• “Pluribus” — “Got Milk” (Apple TV) — Joey Liew, Editor
• “Pluribus” — “Grenade” (Apple TV) — Chris McCaleb, ACE, Editor
• “Pluribus” — “We Is Us” (Apple TV) — Skip Macdonald, ACE, Editor
• “Task” — “A Still Small Voice” (HBO Max) — Keiko Deguchi, ACE, Editor; Amy E. Duddleston, ACE, Editor

Outstanding Picture Editing for a Multi-Camera Comedy Series

• “Leanne” — “Having Big Feelings” (Netflix) — Russell Griffin, ACE, Editor
• “The Neighborhood” — “Welcome To The Zhuzh” (CBS) — Chris Poulos, ACE, Editor; Tim DeLone, Editor
• “Shifting Gears” — “Nutcracker” (ABC) — Pamela Marshall, Editor
• “Tyler Perry’s Assisted Living” — “A Rolling Stone” — BET Networks — Jennifer Viola, Editor
• “The Upshaws” — “Election Day” (Netflix) — Angel Gamboa Bryant, ACE, Editor

Outstanding Picture Editing for a Single-Camera Comedy Series

• “The Bear” — “Bears” (FX/Hulu) — Joanna Naugle, ACE, Editor
• “Hacks” — “The Cube” (HBO Max) — Peggy Tachdjian, ACE, Editor
• “Hacks” — “Hacks (Finale)” (HBO Max) — Jon Philpot, Editor
• “Widow’s Bay” — “Our History” (Apple TV) — Isaac Hagy, ACE, Editor
• “Widow’s Bay” — “Welcome To Widow’s Bay!” (Apple TV) — Kyle Reiter, ACE, Editor
• “Widow’s Bay” — “What To Expect On Your Trip” (Apple TV) — Jen Bryson, Editor

Outstanding Picture Editing for a Limited or Anthology Series or Movie

• “Beef” — “All The Things We’re Never Going To Have” (Netflix) — Laura Zempel, ACE, Editor
• “Beef” — “The Increasing Flimsiness Of Any Certainties About The Future” (Netflix) — Lauren Connelly, ACE, Editor
• “Black Rabbit” — “Isle Of Joy” (Netflix) — Vikash Patel, Editor
• “Death By Lightning” — “The Man From Ohio” (Netflix) — Joseph Krings, ACE, Editor; Anna Hauger, ACE, Editor; Michael Ruscio, ACE, Editor; Joe Leonard, ACE, Editor; Bridget Case, Additional Editor; Derek Desmond, Additional Editor
• “DTF St. Louis” — “No One’s Normal. It Just Looks That Way From Across The Street” (HBO Max) — Kevin D. Ross, ACE, Editor; Max Koepke, Editor

Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

• “Euphoria” — “This Little Piggy” (HBO Max) — François Audouy, Production Designer; A. Todd Holland, Supervising Art Director; Anthony Carlino, Set Decorator
• “The Pitt” — “9:00 P.M.” (HBO Max) — Nina Ruscio, Production Designer; Josh Lusby, Art Director; Matt Callahan, Set Decorator
• “Pluribus” — “Grenade” (Apple TV) — Denise Pizzini, Production Designer; Dins Danielsen, Supervising Art Director; Ashley Michelle Marsh, Set Decorator
• “Slow Horses” — “Incommunicado” (Apple TV) — Choi Ho Man, Production Designer; Oskars Vilnitis-Pantelejevs, Supervising Art Director; Kamlan Man, Set Decorator
• “Wednesday” — “If These Woes Could Talk” (Netflix) — Mark Scruton, Production Designer; Shane McEnroe, Supervising Art Director; David Morison, Set Decorator

Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)

• “Fallout” — “The Wrangler” (Prime Video) — Howard Cummings, Production Designer; David Lazan, Supervising Art Director; Julie Ochipinti, Set Decorator
• “The Gilded Age” — “If You Want To Cook An Omelette” (HBO Max) — Bob Shaw, Production Designer; Larry W. Brown, Supervising Art Director; Jennifer Alex Nickason, Set Decorator
• “Palm Royale” — “Maxine Does Something Good” (Apple TV) — Jon Carlos, Production Designer; Rachel Aguirre, Art Director; Amelia Brooke, Art Director; Mark Robert Taylor, Art Director; Ellen Reede, Set Decorator
• “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Warren Alan Young, Production Designer; Mark Larkin, Supervising Art Director; Halina Siwolop, Set Decorator
• “Stranger Things” — “Chapter Four: Sorcerer” (Netflix) — Chris Trujillo, Production Designer; Sean Brennan, Supervising Art Director; Jess Royal, Set Decorator

Outstanding Production Design for a Narrative Program (Half-Hour)

• “Hacks” — “Who’s Making Dinner?” (HBO Max) — Rob Tokarz, Production Designer; Jeanine Ringer, Art Director; Jennifer Lukehart, Set Decorator
• “A Knight Of The Seven Kingdoms” — “Seven” (HBO Max) — Tom McCullagh, Production Designer; John Merry, Supervising Art Director; Stephanie Rea, Set Decorator
• “Leanne” — “Please Be A Lizard” (Netflix) — Francoise Cherry-Cohen, Production Designer; Gail Russell, Assistant Art Director; Ann Shea, Set Decorator
• “Only Murders In The Building” — “The House Always…” (Hulu) — Patrick Howe, Production Designer; Casey Smith, Art Director; Mila Khalevich, Set Decorator
• “Widow’s Bay” — “Lodging” (Apple TV) — Steve Arnold, Production Designer; Peter Borck, Supervising Art Director; Jennifer Engel, Set Decorator

Outstanding Prosthetic Makeup

• “Fallout” — “The Demon In The Snow” (Prime Video) — Jake Garber, Special Makeup Effects Department Head; Greg Funk, Special Makeup Effects Department Head; Gregory Nicotero, Prosthetic Designer; Carey Jones, Prosthetic Designer; Vincent Van Dyke, Prosthetic Designer; Gabriel De Cunto, Prosthetic Makeup Artist; Kevin Wasner, Prosthetic Makeup Artist; Scott Stoddard, Prosthetic Makeup Artist
• “Monster: The Ed Gein Story” — “The Godfather” (Netflix) — Leo Corey Castellano, Department Head Makeup Artist; Mark Nieman, Makeup Artist; Joseph Badiali, Special Makeup Effects Artist
• “The Pitt” — “9:00 P.M.” (HBO Max) — Myriam Arougheti, Department Head Makeup Artist; Arjen Tuiten, Prosthetic Designer; Thom Floutz, Special Makeup Effects Artist; Chris Burgoyne, Special Makeup Effects Artist; Martina Sykes, Special Makeup Effects Artist; Hanny Tjan, Special Makeup Effects Artist
• “Spider-Noir” — “Betrayal” (MGM+/Prime Video) — Vincent Van Dyke, Prosthetic Designer; Ken Niederbaumer, Key Prosthetic Makeup Artist; Gabriel De Cunto, Special Makeup Effects Artist; Stephen Prouty, Special Makeup Effects Artist; Dave Snyder, Special Makeup Effects Artist; Chris Gallaher, Special Makeup Effects Artist; Jamie Kelman, Special Makeup Effects Artist; Gary J. Tunnicliffe, Special Makeup Effects Artist
• “Stranger Things” — “Chapter Four: Sorcerer” (Netflix) — Barrie Gower, Special Makeup Effects Department Head; Duncan Jarman, Special Makeup Effects Assistant Department Head; Michael Mekash, Special Makeup Effects Assistant Department Head; Emma Faulkes, Key Prosthetic Makeup Artist

Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation

• “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Alastair Sirkett, MPSE, Supervising Sound Editor; Martin Cantwell, Sound Designer; Michele Woods, MPSE, Dialogue Editor; Adéle Fletcher, ADR Editor; Ruth Knight, Sound Effects Editor; Neil Stemp, Music Editor; Barnaby Smyth, Foley Artist; Rebecca Glover, Foley Artist
• “Murderbot” — “All Systems Red” (Apple TV) — Tyler Whitham, MPSE, Co-Supervising Sound Editor; Danielle McBride, MPSE, Co-Supervising Sound Editor; Ève Corrêa-Guedes, Dialogue Editor; Craig MacLellan, Sound Effects Editor; Marcelle Simpson, Music Editor; Nicholas Fitzgerald, Music Editor; John Elliot, Foley Artist
• “Predator: Killer Of Killers” (Hulu) — Chris Terhune, MPSE, Co-Supervising Sound Editor; William Files, MPSE, Co-Supervising Sound Editor; James Miller, Sound Designer; Justin M. Davey, MPSE, Sound Designer; Lee Gilmore, MPSE, Sound Designer; Jessie Anne Spence, MPSE, Supervising Dialogue/ADR Editor; Daniel DiPrima, Music Editor; Stephen Perone, Music Editor; Adam DeCoster, Foley Artist; Noel Vought, Foley Artist
• “Star Wars: Maul – Shadow Lord” — “Chapter 10: The Dark Lord” (Disney+) — David W. Collins, Supervising Sound Editor; Kevin Bolen, Sound Effects Editor; Bill Rudolph, Sound Effects Editor; Michael Brinkman, Sound Effects Editor; Frank Rinella, Foley Editor; Kimberly Patrick, Foley Editor; Eli Denson, Music Editor
• “Widow’s Bay” — “What To Expect On Your Trip” (Apple TV) — Matt Yocum, MPSE, Co-Supervising Sound Editor; Sang Kim, Co-Supervising Sound Editor; Goeun Everett, Sound Effects Editor; Ryan Sullivan, Sound Effects Editor; Nate Underkuffler, Music Editor; Leslie Bloome, Foley Artist; Shaun Brennan, Foley Artist

Outstanding Sound Editing for a Comedy or Drama Series (One Hour)

• “Alien: Earth” — “Neverland” (FX/Hulu) — Lee Gilmore, MPSE, Co-Supervising Sound Editor; Bradley North, MPSE, Co-Supervising Sound Editor; Chris Terhune, MPSE, Sound Designer; Nolan McNaughton, MPSE, Sound Designer; Justin M. Davey, MPSE, Sound Designer; Byron Wilson, MPSE, Dialogue Editor; Tim Walston, MPSE, Sound Effects Editor; Matt “Smokey” Cloud, MPSE, Sound Editor; Beso Kacharava, MPSE, Supervising Foley Editor; Ben Schor, MPSE, Music Editor; Biko Gogaladze, Foley Artist
• “The Boys” — “Blood And Bone” (Prime Video) — Wade Barnett, MPSE, Supervising Sound Editor; Ryan Briley, Dialogue Editor; Russell Topal, MPSE, Sound Effects Editor/Sound Designer; Luis Galdames, MPSE, Sound Effects Editor; Lisle Engle, Foley Editor; Christopher Brooks, Music Editor; Joe Sabella, Foley Artist; Jesi Ruppel, Foley Artist
• “Fallout” — “The Strip” (Prime Video) — Sue Gamsaragan Cahill, Co-Supervising Sound Editor; Daniel Colman, MPSE, Co-Supervising Sound Editor; Joseph Fraioli, MPSE, Sound Designer; Jane Boegel-Koch, Dialogue Editor; Sara Bencivenga, ADR Editor; James Parnell, MPSE, Sound Effects Editor; Randall Guth, Foley Editor; Christopher Kaller, Music Editor; Pamela Kahn, MPSE, Foley Artist; Dominique Decaudain, Foley Artist; Alex Ullrich, MPSE, Foley Artist
• “Spider-Noir” — “The Man In The Mask” (MGM+/Prime Video) — Ethan Beigel, MPSE, Co-Supervising Sound Editor; Andy Sisul, Co-Supervising Sound Editor/Sound Designer; Will Digby, MPSE, Sound Designer; Ryan Collins, Sound Designer; Arielle McGrail, Dialogue Editor; Caitlin Lutenske, Sound Effects Editor; DeVaughn Watts, MPSE, Music Editor; Sanaa Kelley, MPSE, Foley Artist; Matt Salib, Foley Artist
• “Stranger Things” — “Chapter Eight: The Rightside Up” (Netflix) — Craig Henighan, Co-Supervising Sound Editor; William Files, MPSE, Co-Supervising Sound Editor; Dave Grimaldi, Sound Designer; Lee Gilmore, MPSE, Sound Designer; Ryan Cole, Supervising Dialogue/ADR Editor; Polly McKinnon, Dialogue Editor; Emma Present, Dialogue Editor; Angelo Palazzo, Sound Effects Editor; Katie Halliday, Sound Effects Editor; Christopher Bonis, Sound Effects Editor; Nick Interlandi, Sound Effects Editor; Matt “Smokey” Cloud, MPSE, Sound Editor; Gina Wark, Foley Editor; Lena Glikson, Music Editor; David Klotz, Music Editor; Steve Baine, Foley Artist

Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special

• “The Beast In Me” — “Sick Puppy” (Netflix) — Ruy Garcia, Supervising Sound Editor; Marcello Dubaz, Dialogue Editor; Marissa Littlefield, ADR Editor; Isaac Derfel, Sound Effects Editor; Otis Streeter, Sound Editor; Jo Caron, Foley Editor; James Sizemore, Music Editor; Guy Francoeur, Foley Artist
• “Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — Christopher Gomez, MPSE, Supervising Sound Editor; Danika Wikke, Dialogue Editor; Jerry Lafuente, Sound Effects Editor; Yurii Kerelius, Foley Editor; Luke Dennis, Music Editor; Danylo Gomlez, Foley Artist
• “Lord Of The Flies” — “Piggy” (Netflix) — Niv Adiri, Supervising Sound Editor; Tom Sayers, Sound Designer; Linda Forsén, Supervising Dialogue/ADR Editor; Phil Freudenfeld, Dialogue Editor; Kirsty Graham, Foley Editor; Paolo Pavesi, Foley Editor; Zoe Freed, Foley Artist; Rebecca Heathcote, Foley Artist
• “The Rip” (Netflix) — Daniel Pagan, MPSE, Co-Supervising Sound Editor; Craig Mann, Co-Supervising Sound Editor; Chase Keehn, Supervising Dialogue/ADR Editor; Jon Title, Sound Effects Editor; Russell Topal, MPSE, Sound Effects Editor; Randy Wilson, Supervising Foley Editor; Justin Helle, Foley Editor; Sam Zeines, Music Editor; Stefan Fraticelli, Foley Artist
• “Tom Clancy’s Jack Ryan: Ghost War” (Prime Video) — Lewis Goldstein, MPSE, Supervising Sound Editor; Alfred DeGrand, Dialogue/ADR Editor; Tyler Newhouse, Dialogue Editor; Rebeca Lindenfeld, ADR Editor; Bennett Kerr, Sound Effects Editor; Marcello Dubaz, Sound Effects Editor; Patrick Cicero, Sound Effects Editor; Henry Butler, Sound Effects Editor

Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

• “The Bear” — “Scallop” (FX/Hulu) — Steve “Major” Giammaria, CAS, Re-Recording Mixer; Scott D. Smith, CAS, Production Mixer; Patrick Christensen, CAS, ADR Mixer; Ryan Collison, CAS, Foley Mixer; Connor Nagy, CAS, Foley Mixer
• “Hacks” — “The Garden” (HBO Max) — John W. Cook II, CAS, Re-Recording Mixer; James Parnell, CAS, Re-Recording Mixer; Jim Lakin, Production Mixer; Fernanda Domene, ADR Mixer; David Stal, Scoring Mixer; Jacob McNaughton, Foley Mixer
• “Shrinking” — “I Will Be Grape” (Apple TV) — Earl Martin, Re-Recording Mixer; Anna D. Wilborn, CAS, Production Mixer; Jamison Rabbe, ADR Mixer; Tami Treadwell, ADR Mixer; Jeffrey Roy, ADR Mixer; Alex Jongbloed, CAS, Foley Mixer
• “Tires” — “The Tri-State Mid Market Tire Expo” (Netflix) — Brian Bracken, Re-Recording Mixer; Jackson Derbish, Production Mixer
• “Widow’s Bay” — “What To Expect On Your Trip” (Apple TV) — Tim Hoogenakker, CAS, Re-Recording Mixer; Larry Benjamin, CAS, Re-Recording Mixer; Kevin Parker, Production Mixer; Scott Michael Smith, Scoring Mixer; Judah Getz, CAS, ADR Mixer; Leslie Bloome, Foley Mixer

Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)

• “Fallout” — “The Strip” (Prime Video) — Keith Rogers, CAS, Re-Recording Mixer; Steve Bucino, CAS, Re-Recording Mixer; Ed Novick, Production Mixer; Mike Marino, Foley Mixer
• “The Pitt” — “8:00 P.M.” (HBO Max) — Todd M. Grace, CAS, Re-Recording Mixer; Edward C. Carr III, CAS, Re-Recording Mixer; Von Varga, Production Mixer; Tami Treadwell, ADR Mixer; Alex Jongbloed, CAS, Foley Mixer
• “Pluribus” — “We Is Us” (Apple TV) — Larry Benjamin, CAS, Re-Recording Mixer; Tim Hoogenakker, CAS, Re-Recording Mixer; Phillip W. Palmer, CAS, Production Mixer; Dave Porter, Scoring Mixer; Ron Mellegers, Foley Mixer; Judah Getz, CAS, ADR Mixer
• “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Nick Offord, Re-Recording Mixer; Ryan Collins, Re-Recording Mixer; Matthew Sanchez, CAS, Production Mixer; Jordan McClain, Foley Mixer; Scott Michael Smith, Scoring Mixer; Aaron Hasson, ADR Mixer
• “Stranger Things” — “Chapter Eight: The Rightside Up” (Netflix) — Mark Paterson, Re-Recording Mixer; William Files, CAS, Re-Recording Mixer; Steve Neal, Re-Recording Mixer; Michael P. Clark, CAS, Production Mixer; Hector Carlos Ramirez, Scoring Mixer; Peter Persaud, Foley Mixer

Outstanding Sound Mixing for a Limited or Anthology Series or Movie

• “Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — Penny Harold, CAS, Re-Recording Mixer; Andy Lange, CAS, Re-Recording Mixer; Devendra Cleary, CAS, Production Mixer; Sean O’Malley, CAS, Production Mixer; Jongkun Park, Production Mixer; Judah Getz, CAS, ADR Mixer; Illia Popel, Foley Mixer
• “Black Rabbit” — “Isle Of Joy” (Netflix) — Larry Benjamin, CAS, Re-Recording Mixer; Tim Hoogenakker, CAS, Re-Recording Mixer; James Weidner, Production Mixer; Phil McGowan, CAS, Scoring Mixer; Paul Drenning, ADR Mixer; Ron Mellegers, Foley Mixer
• “DTF St. Louis” — “Amphezyne” (HBO Max) — John W. Cook II, CAS, Re-Recording Mixer; James Parnell, CAS, Re-Recording Mixer; Akira Fukasawa, Production Mixer; Fernanda Domene, ADR Mixer; James Howe, Foley Mixer; Alex Wurman, Scoring Mixer
• “Lord Of The Flies” — “Piggy” (Netflix) — Niv Adiri, Re-Recording Mixer; Ande Schurr, Production Mixer; Glen Gathard, Foley Mixer; Tristan Rose, ADR Mixer; Mark Appleby, ADR Mixer; James Bishop, ADR Mixer
• “Monster: The Ed Gein Story” — “Sick As Your Secrets” (Netflix) — Jamie Hardt, CAS, Re-Recording Mixer; Christina “Chuyue” Wen, Re-Recording Mixer; Jose Garcia, Production Mixer; Mario M. Coletta, Production Mixer; Jamison Rabbe, ADR Mixer; Jacob McNaughton, Foley Mixer

Outstanding Special Visual Effects in a Season or a Movie

• “Alien: Earth” (FX/Hulu) — Jonathan Rothbart, Production VFX Supervisor; James Ledwell, Production VFX Producer; Mitchell Callisch, Production VFX Production Manager; Woei Lee, Production Associate VFX Supervisor; David Fletcher, SFX Supervisor; Jeffrey A. Okun, On-Set VFX Supervisor; Chris Ritvo, VFX Supervisor (Untold Studios); Viktor Müller, VFX Supervisor (UPP); Aladino Debert, VFX Supervisor (Zoic Studios); Will Towle, VFX Supervisor (FIN VFX); Ryan Freer, VFX Supervisor (Pixomondo); Maksim Došlo, VFX Supervisor (Crafty Apes)
• “Foundation” (Apple TV) — Chris MacLean, Overall Visual Effects Supervisor; Jack Geist, Overall Visual Effects Producer; Gabriel Sanchez, Post Visual Effects Supervisor; Stephan Schaefholz, VFX Supervisor; Arnaud Brisebois, VFX Supervisor; Carlos Monzon, VFX Supervisor; Mathieu Assemat, VFX Supervisor; Stephen Elphick, VFX Supervisor; Jindřich Červenka, VFX Supervisor; Damien Hurgon, VFX Supervisor; Ed Bruce, VFX Supervisor; Jan Rejnuš, Special Effects Supervisor
• “It: Welcome To Derry” (HBO Max) — Daryl Sawchuk, Overall VFX Supervisor; Steve Dellerson, Overall VFX Producer; Pier Lefebvre, VFX Supervisor; Jordan Schilling, VFX Supervisor; Steven Tether, VFX Set Supervisor; Darcy Callaghan, SPX Supervisor; Zena Bielewicz, VFX Supervisor; Eric Withee, VFX Assoc Producer; Maria Sartzetaki, VFX Production Mgr; Sebastien Chartier, VFX Supervisor; Ben King, VFX Supervisor; Lara Ramirez, VFX Editor
• “Monarch: Legacy of Monsters” (Apple TV) — Sean Konrad, VFX Supervisor; Elizabeth Willaman, VFX Producer; Bryn Morrow, On-Set VFX Supervisor; Marc Varisco, On-Set VFX Supervisor; Bryan Hirota, VFX Supervisor; Pier Lefebvre, VFX Supervisor; Cody Baker, Colourist; Julian Summers, SFX Supervisor; Kelly Redmond, SFX Coordinator; Jeremy Burns, Additional VFX Supervisor; Lara Bannister, VFX Production Manager; Jourdan Biziou, Visualization Supervisor
• “Prehistoric Planet: Ice Age” (Apple TV) — Russell Dodgson, VFX Supervisor; Andrew R. Jones, Animation Director; Rupert Smith, VFX Producer; Tracey Gibbons, VFX Producer; Benjamin Loch, VFX Supervisor; Francois Dumoulin, VFX Supervisor; Romain Rico, VFX Supervisor; Gavin McKenzie, VFX Supervisor; Brian Fisher, Technical Reference Puppeteer; Alvise Avati, Animation Supervisor; Adrien Annesley, Animation Supervisor; Liam Russell, Animation Supervisor
• “Stranger Things” (Netflix) — Betsy Paterson, Visual Effects Supervisor; Michael Maher Jr., VFX Art Director; Sean Ames, Additional VFX Supervisor; Craig Seitz, Additional VFX Supervisor; Tessa Roehl, VFX Co-Producer; Chloe Lipp, Associate VFX Producer; Brad Tobler, Senior VFX Editor; Martin Hill, Senior VFX Supervisor, WĒTĀ FX Limited; Richard Thwaites, VFX Producer, WĒTĀ FX Limited; Bill Georgiou, VFX Supervisor, ILM; Jessica Smith, VFX Consultant; Mark Hawker, Special Effects Supervisor

Outstanding Special Visual Effects in a Single Episode

• “Gen V” — “New Year, New U” (Prime Video) — Karen Heston, Visual Effects Supervisor; Sean Tompkins, Visual Effects Producer; Clara Hill, Visual Effects Production Manager; Dane Collier, Visual Effects Editor; Andrew Simmonds, Visual Effects Supervisor (DNEG); Oliver Eikhoff, Visual Effects Producer (DNEG); Matthew Novak, CG Supervisor (EYELINE); Bhanu Prakash, Sequence FX Lead (DNEG); Hudson Kenny, SPFX Supervisor
• “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Arron Roebuck, Overall VFX Supervisor; Paul Russo, Overall VFX Producer; Luke Dhand, VFX Editor; Angel Rico Riesgo, VFX Supervisor at El Ranchito; Sonsoles L. Aranguren, Additional VFX Supervisor at El Ranchito; Rocío Ruiz de Azúa, VFX Producer at El Ranchito; Mike Dawson, SFX Supervisor; Tom Lloyd, SFX Floor Supervisor; Paul Tuersley, VFX Artist
• “Paradise” — “Exodus” (Hulu) — John Weckworth, VFX Supervisor; John Stewart, VFX Supervisor; Chapel Folger, VFX Producer; John Brennick, Compositing Supervisor; Evan Underwood, CG/FX Supervisor; Christian Day, Lead Lighter; Chris Messineo, FX Lead; Scott Gastellu, Compositing Lead; Linda Tremblay, Compositing Lead; Meliza Fermin, DMP Supervisor; Kristofer Cross, Associate Producer; Blair Foord, Special FX Coordinator
• “Spider-Noir” — “Nightmare On A Gurney” (MGM+/Prime Video) — Hnedel Maximore, VFX Supervisor; Brooke Noska, VFX Producer; Adam Rothstein, Additional VFX Supervisor; Timothy Hanson, VFX On-Set Supervisor; Jorge Macias, Lead VFX Artist; Taylor Faulkinberry, Senior VFX Coordinator; Joseph C Bond IV, VFX Editor; Suzie Askham, VFX Supervisor (Cinesite); Tommy Tran, VFX Supervisor (Barnstorm); Cameron Neilson, VFX Supervisor (ILM); Adam Balentine, VFX Supervisor (Eyeline VFX); Sebastiano D’Aprile, VFX Supervisor (CoSA VFX)
• “The Walking Dead: Daryl Dixon” — “Costa Da Morte” (AMC) — Jao M’Changama, Overall VFX Supervisor; Justine Paynat-Sautivet, Senior VFX Producer; Sébastien Voisin, VFX Producer; Tim Binmoeller, VFX Editor; Vanya Karamehmedović, VFX Coordinator; Xavier Allard, VFX Supervisor (BUF); Cem Olcer, Lead Artist (BUF); Mathieu Malard, VFX Supervisor (Mathematic); Pau Costa, SFX Supervisor; Brett Tierney, SFX Floor Supervisor; Keith Pullman, Supervising In-House Artist

Outstanding Stunt Coordination for Comedy Programming

• “Beef” (Netflix) — Shauna Duggins, Stunt Coordinator; Chris O’Hara, Stunt Coordinator
• “Palm Royale” (Apple TV) — Mallory Thompson, Stunt Coordinator
• “Peacemaker” (HBO Max) — Hank Amos, Supervising Stunt Coordinator; Dave Macomber, Stunt Coordinator
• “Poker Face” (Peacock) — Tom Place, Stunt Coordinator
• “Spider-Noir” (MGM+/Prime Video) — Freddy Bouciegues, Supervising Stunt Coordinator; Hugh Aodh O’Brien, Stunt Coordinator
• “Tulsa King” (Paramount+) — Freddie Poole, Stunt Coordinator

Outstanding Stunt Coordination for Drama Programming

• “The Boys” (Prime Video) — John Koyama, Supervising Stunt Coordinator
• “Fallout” (Prime Video) — Casey O’Neill, Stunt Coordinator; Josh Kemble, Stunt Coordinator
• “FBI” (CBS) — Victor Paguia, Stunt Coordinator
• “The Rookie” (ABC) — David Rowden Sr., Stunt Coordinator
• “Stranger Things” (Netflix) — Hiro Koda, Supervising Stunt Coordinator; Jahnel Curfman, Stunt Coordinator

Outstanding Stunt Performance

• “Fallout” — “The Profligate” (Prime Video) — Jeremy Fitzgerald, Stunt Performer; Tim Soergel, Stunt Performer
• “FBI” — “Crusader” (CBS) — Adam Shippey, Stunt Performer; Hannah Scott, Stunt Performer; Bryce Biederman, Stunt Performer; Chris Barnes, Stunt Performer
• “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Zach Roberts, Stunt Performer; Gyula Tóth, Stunt Performer; Chris Cox, Stunt Performer; Jake Cox, Stunt Performer
• “Palm Royale” — “Maxine Finds Herself” (Apple TV) — Sonja Wajih, Stunt Performer; Colby Lemmo, Stunt Performer
• “Spider-Noir” — “Tread Lightly” (MGM+/Prime Video) — Solomon Brende, Stunt Performer; Jimmy Chhiu, Stunt Performer; Micaiah Chau, Stunt Performer; Kyle Potter, Stunt Performer

Outstanding Supporting Actor in a Limited or Anthology Series or Movie

• Jason Bateman — “DTF St. Louis” (HBO Max) — as Clark Forrest
• Richard Gadd — “Half Man” (HBO Max) — as Ruben
• David Harbour — “DTF St. Louis” (HBO Max) — as Floyd Smernitch
• Charles Melton — “Beef” (Netflix) — as Austin
• Nick Offerman — “Death By Lightning” (Netflix) — as Chester Arthur

Outstanding Supporting Actress in a Limited or Anthology Series or Movie

• Linda Cardellini — “DTF St. Louis” (HBO Max) — as Carol Love-Smernitch
• Dakota Fanning — “All Her Fault” (Peacock) — as Jenny Kaminski
• Laurie Metcalf — “Monster: The Ed Gein Story” (Netflix) — as Augusta Gein
• Joy Sunday — “DTF St. Louis” (HBO Max) — as Detective Jodie Plumb
• Youn Yuh-jung — “Beef” (Netflix) — as Chairwoman Park
• Constance Zimmer — “Love Story: John F. Kennedy Jr. & Carolyn Bessette” — (FX/Hulu) — as Ann Marie Messina

Outstanding Title Design

• “It: Welcome To Derry” — (HBO Max) — Aaron Becker, Creative Director; Seth Kleinberg, Art Director; Troy Miller, Editor; Joseph Ahn, Designer; Michael Lo, Designer; Hsien Lun Su, Designer; Li-Yu Chen, Designer; Lee Nelson, Animator
• “Murderbot” (Apple TV) — Hazel Baird, Creative Director; Rob Cawdery, Creative Director; Phil Davies, Designer/Animator; Ben Jones, Animator; Ethem Cem, Designer; Joe Paniagua, 3D Artist; Lance Slaton, Illustrator; Xiaolin Zeng, Designer
• “PONIES” (Peacock) — Ronnie Koff, Creative Director; Kathy Liang, Designer; Fernando Lazzari, Animator/Designer; Charles Khoury, Animator/Designer; Christoph Gabathuler, Animator/Designer; Jeffrey Su, Animator/Designer; Min Shi, 3D Artist; Lexi Gunvaldson, Editor
• “Smoke” (Apple TV) — Mason Nicoll, Director; Peter Pak, Art Director; Rachel Brickel, Art Director / Cinematographer; Ana Criado, Designer; Simon Chan, Animator; Justin West, Editor
• “Spider-Noir” (MGM+/Prime Video) — Mason Nicoll, Director; Andrew Julien, Art Director / Editor; Arik Weiss, Designer; Peter Pak, Art Director; John Van Unen, 3D Artist; Daniel Duda, Animator; Christian Arnsparger, Animator; Rachel Brickel, Cinematographer
• “Young Sherlock” (Prime Video) — Ronnie Koff, Creative Director; Elizabeth Steinberg, Designer; Min Shi, 3D Artist; Scott Bell, Lead Animator; Henry Chang, Animator; Christoph Gabathuler, Animator; Charlie Proctor, Animator; Lexi Gunvaldson, Editor

Outstanding Writing for a Limited or Anthology Series or Movie

• “All Her Fault” — “Episode 8” (Peacock) — Megan Gallagher, Written by
• “The Beast In Me” — “Sick Puppy” (Netflix) — Gabe Rotter, Teleplay by & Story by; Daniel Pearle, Teleplay by
• “Beef” — “All The Things We’re Never Going To Have” (Netflix) — Lee Sung Jin, Written by
• “Death By Lightning” (Netflix) — Mike Makowsky, Written by
• “DTF St. Louis” (HBO Max) — Steven Conrad, Written by

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